Rafaela murmurs through her eyes, the distance she has now of a being a child into a woman. Rafaela is a young girl and she resents being treated like a caged animal that forces her to tell the kids to buy her sweet drinks to sweeten her childhood once again. Since she never really had a childhood because that too has also been dominated by the man, she tries to revive it by bringing in sweets from drinks. However the metaphor of Rafaela dreams her hair like Rapunzel, makes her become a reinterpretation of a fairytale, who she images to be Rapunzel.
Ironically, the prince is the culprit, and not the savior. Sally is another girl who has also been caged away from her childhood and merely depends on a man to save her from her father. Esperanza is a girl who has low self-esteem still very optimistic of having a house of her own the day she says she can be proud, decides to become independent on Mango Street. She refused to either tame herself or wait for a man. She wants to create individually by not following what women believe the easy way out-men.
Esperanza believes she can be someone different and she could dominate her own life without a man, which is unordinary because women ask for support of the man. The description of herself not wanting to lay her neck on the threshold creates a symbol of her not wanting to fall to the prison the men have and she refuses to wait for the ball and chain so she cannot become the salve to the man. In general many women believe in men who can transform magically lives into paradise so women let men have control over them, believing this way they would save them from the prison they live in but await for something shoddier.
Mamasita is a woman who lived in a country and was brought to the United States because of her husband. Mamasita was excited to come and urged her husband to save money and bring her because she felt alone she wanted to come and become reunited with her husband.
She dreamed that United States would be amazing that it would be her fairytale come true once she gets here. The man controls where the woman is going to be. Although just about every young adolescent girl goes through a stage when they watch pronoun agreement, you have girl-they feel unattractive, brainless, and insecure Esperanza seems to feel all these emotions in a large degree.
She has such a pessimistic outlook on life that she is causing herself pain. She thinks of it as a beautiful box with beautiful flowers painted on it and then realizes that the music box is also deceiving. It is just an old wood box with holes in it. She thinks of the music box as something synonymous to life. She blames herself for being stupid and thinking that life is great when in reality it is not. Her brothers Kiki and Carlos are close run on sentence she says there their relationship is one of comrades, very different than the relationship she has with her sister Nenny.
The citation is inside the period, but outside the quotation marks. She sees herself different from everyone and thinks she is raised high like the balloon so that everyone can see and judge her. The anchor that is tied to the balloon is Nenny. She well not allow herself to fall into society and will fight the war against machismo. Although through the whole novel Experanza wants to leave her house on Mango Street, at the end we find out that she does want to come back.
She is aware that she can never leave Mango Street because it is part of her roots and has influenced her dreams and her personality. Despite approaching puberty, with its longings and confusion, she is an astute observer of the world around her, especially of the adults and their actions.
She seems to understand intuitively the emotions of her friends, family, and neighbors. She begins to reject traditional roles and to seek out those who can give her support as a fledgling writer. Each event or person she describes has affected her in an essential way. Her youth makes her a reliable narrator; her observations are honest and unexaggerated, without guile. She narrates a story with a dual plot: One is the story of her own search for identity, about creativity and becoming an artist; the other is the story of her Latino neighborhood and the individuals the reader comes to know in her neighborhood.
Her perspective often points to the ways society at large oppresses Latin Americans, which impose a double yoke on Latina women.
An Analysis of The House on Mango Street - An Analysis of The House on Mango Street In the novel, The House on Mango Street, Sandra Cisneros describes the problems that Latino women face in a society that treats them as second class citizens.
house on mango street 3 Pages. Words. In the novel "The House on Mango Street" many different themes represent different ideas. Esperanza a character in the novel often describes her street to us, and one of the main focuses is the "house".
In the book The House on Mango Street in MLA format, titles of books are always underlined., the main character Esperanza, goes from being a young girl with low self-esteem to . Starting an essay on Sandra Cisneros's The House on Mango Street? Organize your thoughts and more at our handy-dandy Shmoop Writing Lab.
The House on Mango Street, published in , is Sandra Cisneros’s first work of fiction. With its appearance she became recognized as the most powerful writer of a group of emerging Chicana. Free essay on The House on Mango Street. Sample essay on The House on Mango Street. The House on Mango Street essay example. Buy custom essays, term papers, research papers on any Literature topics at Essay Lib.